‘Anecdote literally means unofficial, unpublished knowledge. It is non-quantifiable and contrary to evidence; anecdotal data won’t ever support a rule, or provide the basis of a law or theory. Here’s an anecdote for you: in The Percy Anecdotes, a collection of nineteenth-century literary tidbits collated by the Percy brothers, it says that “anecdote” was ancient Greek slang for an unmarried woman. Personified, the anecdote becomes aberrant and female, an example of marginalia. As a form of practice and research, the anecdotal is a complex of “theory in the flesh of practice”. Archives are full of fragments and proper scholarly practice honours this incompleteness. The anecdote, however, fantasises connections, negentropically forming stories from fragmentary information. Materiality and story come together over the bones of an archive.’
– Holly Pester
Using anecdote as a method to generate a collection of poetry, critical fictions and literary fragments this book performs a response to the history and function of the Women’s Art Library. The stories segue through the archive of personal correspondence, artists’ slides and administrative papers, as well as a poster archive documenting exhibitions, parties and activism in 1980s Feminist art movements. Anecdotal, gossiped and mistreated histories form aberrant narratives as a result of an inverted mode of archival research.
These stories, poems and fragments were composed through engagement with the Women’s Art Library in 2014, with the support of a bursary ‘Living with Make: Art in the Archive’ that was co-funded by WAL and Feminist Review, in association with Whitechapel Gallery.
Go to reception and ask for Sara in red felt tip by Holly Pester, is published by Book Works in association with the Women’s Art Library, Goldsmiths, University of London in an edition of 1,000 copies. Designed by James Langdon; 112 pages, soft cover.
112 pp. | 240 x 160 mm
ISBN: 978 1 906012 66 3
Design: James Langdon
Publisher: Book Works
Bookworks is a leading contemporary arts organisation with a unique role as makers and publishers of books.
Established in 1984, they are dedicated to supporting new work by emerging artists, and their projects are initiated by invitation, open submission, and through guest-curated projects. Book Works consists of a publishing and commissioning department; and a studio specialising in binding, box-making and multiples. Their activities include publishing, a lecture and seminar programme, exhibitions, the development of an on-line archive, and artists’ surgeries and workshops held by both the publishing department and the studio.